BookXcess Launches the First BookXcess Out of Kuala Lumpur at  Gurney Paragon Mall, Penang

BookXcess Launches the First BookXcess Out of Kuala Lumpur at Gurney Paragon Mall, Penang

Featuring the longest bookshelf in Malaysia at 70 metres in length and a two-storey bookshelf measuring 10 metres high, the BookXcess team brings you a uniquely diverse selection of   sought-after titles. Book lovers can expect a variety of books from art and design to literature, fiction, non-fiction, young adult, children’s books and many more hidden gems. Exclusively for BookXcess, parents of young ones will also find Little Hippo augmented reality (AR) books available at the store. AR books create an immersive, interactive reading experience. Children will be able to read, play and learn with these AR books as it uses cutting-edge AR technology to revolutionize reading for the next generation.

“One of the reasons there are so few avid readers in Malaysia is that books are very expensive. Books cost a lot in relation to the average person’s income and this is a barrier for many book lovers. As such, BookXcess’ goal is to make reading popular again; for books to become a household item that everyone can afford,” shared Andrew Yap, Founder of BookXcess Sdn. Bhd.

Taking up the entire 7th floor and part of the 8th floor, covering 26,000 sq. ft, BookXcess Gurney Paragon Mall features a children’s section which offers a breath-taking view of the ocean, providing inspiration for young readers to spark their curious minds. The bookstore also features comfortable reading spaces for customers to browse the sample books available. In addition, customers can also visit Café Wolf, BookXcess’ very own in-store café for refreshments or a quick bite.

According to Hunza Group Executive Director, Ms. Khor Tze Ming, “Shoppers nowadays enjoy getting lost in a cosy feeling of peace and quiet where books have their back amidst the crazy buzz of a busy mall. The establishment of BookXcess is a great complement to the mushrooming of international schools in Penang, which is in line with the state government’s vision in transforming our state into an international city with high-income economy that is knowledge-intensive.”

BookXcess Gurney Paragon Mall is also Red Readerhood’s first long-term initiative in Penang. Started in 2011, Red Readerhood gives back to communities by working together with local organisations to give books to those in need. Customers can purchase and donate a book at the Red Readerhood corner, and for every book a customer donates, BookXcess will match it with another book. The first four homes that will benefit from this initiative are House of Hope, The Salvation Army, St. Joseph’s Home and Hope Worldwide Penang.


Customers can also stay updated on the latest BookXcess news on:


About BookXcess

BookXcess has built a reputation for offering a wide selection of books – from bestselling novels, children’s books, cooking and architecture to literature, history, evergreen classics and décor – at hugely discounted prices. As a remainder bookstore, it offers a wide range of overprinted and unsold copies from publishers around the world. The company’s primary aim is to encourage the joy of reading by making books available at affordable prices.

BookXcess opened its first outlet in Amcorp Mall in 2007, and has retail outlets at the Starling, fahrenheit88, as well as gift stores called BookXcess XS in 1 Utama, SS15 Courtyard and Centro Mall, Klang. In May 2018, BookXcess also launched the nation’s biggest and only 24-hour bookstore at Tamarind Square. The company also offers online shopping at to meet the needs of customers outside the Klang Valley.

About Gurney Paragon Mall

Located in Gurney Drive, Gurney Paragon Mall is the premier shopping mall in Penang Island, built around and inspired by the former St. Joseph’s Novitiate – converted into St. Jo’s, an area for stylish restaurants and cafes steeped in the architecture of Penang’s heritage. Spanning 700,000 sq. ft. NLA over nine floors, Gurney Paragon Mall offers a superb mix of fashion and lifestyle brands, sea breeze-fronting al-fresco dining areas as well as the first IMAX screen in Penang. It provides a memorable experience to all shoppers and pleasure seekers.

Gurney Paragon Mall was also certified as a national record holder of The Malaysia Book of Records with the achievement of “First Shopping Mall Integrated With A Heritage Building”. Other achievements include “Best Retail Development Malaysia (5 Star) – Asia Pacific Property Awards Development 2018-2019”, “Best Experiential Marketing” Silver Award 2017 & 2018 by Malaysia Shopping Malls Association (PPK)”, “FIABCI Malaysia Property Award 2015 (Retail Category)” and etc.

For media inquiries please contact:

Renuka Ramalingam

PR Manager, BookXcess Sdn. Bhd.

[email protected], +6017 5754450

Preserving Our Environment with “Grub Cycle”

Preserving Our Environment with “Grub Cycle”


By  Seely 

Redza Shahid (29) Co-founded Grub Cycle in June 2016. At first, Grub Cycle had 4 cofounders Asyraf, Hawanisa, Chacha and himself. The idea of starting up a social enterprise was first conceived when he was still doing his University studies. He realised that he needed to do more than what he was learning in the University so together with his friend they joined and volunteered in several charity organisations to help out orphanages and to paint houses. At that moment he was working at an investment company and the boss gave him an idea of how to start a social enterprise and fully encouraged him by submitting his name to a social enterprise programme then, organised by MaGIC in early 2015.

Due to this, Redza was given a KPI (Key Performance Index) to learn more about social enterprises such as the business
model, leaders of social enterprise, and other topics that are related to social enterprise. After one year, he was told to upgrade his position by deciding whether to join a social enterprise or to start on his own. In December 2016, Redza and the other 3 cofounders successfully raised up to RM 1 million grant and at that time there were a few investors that wanted to invest in their social enterprise.

Grub Cycle has 3 stakeholders that play crucial roles, the Co-founders, Investors and Consumers. The main purposes of Grub Cycle are, firstly, to reduce food waste in Malaysia while the other companies are focusing more on food composting. Redza believed that rather sending the food for composting, the edible food should be sold at a lower price. Secondly is to reduce daily expenses for their consumers, in fact, the grocery price had increased by 25% since 2010 but, the average salary in Malaysia has only increased by 20% within the same period. Lastly, Redza’s personal reason was a hope of attraction and encouragement towards other potential social entrepreneurs by involving himself in the social entrepreneurial industry.

How Grub Cycle Works 

Since Grub Cycle launched back in 2016, it has emphasized its focus on reducing food wastage and ensuring that the low-income community can spend less money on food. So the question is what has been done in order to bring this idea to life. Below are some of the Grub Cycle offers to the public and how they can reach out directly to their customers and community.

Grub Groceries

A survey was conducted and it was discovered that there is an increased amount of food waste from local supermarkets and about 15,000 tonnes daily wastes from these supermarkets. 3,000 tonnes out of the 15,000 tonnes will still be edible and 10% is from groceries and supermarkets. This is because 30% – 50% of the products that are shown on the shelves in the supermarket are being thrown away. Grub Cycle obtains surplus food products from their partner supermarkets at an affordable price. These products are either 1 – 3 months from the expiring date. However, these products will be fully ensured and validated for their edibility. Grub Cycle will then sell these items from the website, mobile app or any other means convenient to their customers and delivered to them at no delivery cost.

Grub Mobile
This is like a mobile kiosk but in form of a food truck. It will be visiting low-income community areas 3 hours a day selling surplus food directly to the low-income community. However, If the customers are technology literate, they are able to order and buy online.

Grub Homemade
With this Grub Homemade, Grub Cycle improvises by turning surplus fruits or vegetables that might have been deemed rejected by the supermarket or that is not into a farm-to-table product. Examples include cabbage kimchi, pineapple jam, apple cinnamon and chili chutney. Grub Cycle in-house Chef-In Residence meticulously develops recipes based on high-quality food commodities that would otherwise go to the bin. Don’t worry: they are not recycling expired goods.

Grub Bag
Grub bag is one of the ways the Grub Cycle gives back to the community by subsidizing low-income families’ food essentials. It comprises of rice, cooking oil, sugar, salt and eggs. Grub Cycle delivers Grub Bag to the families on a monthly basis with the hope to lessen the burden of the families in need & empower their economy! But this model is rarely.


On launching the social enterprise, there are three main objectives that have been driving Grub Cycle daily to maximum productivity. Measuring their social impact performance could be done easily by comparing the KPI (Key Performance Index) of these main objectives. These objectives can be considered in a way that Grub Cycle has been contributing heavily to the socioeconomic needs of the society.

Reduce Food Waste
Edible surplus food from grocery stores and cafes are being prevented from wastage daily, considering that 30% – 50% of the products that are shown on the shelves in supermarkets are being thrown away based on the survey. Grub Cycle buys these surplus edible products from the grocery stores at a lower price which encourages the grocery store to still make money out of what was meant to be wasted. Lastly, Grub Cycle will sell these products to their customers below market price.

Another way Grub Cycle has been preventing wastage of food is by collecting the fruits or vegetables that had been deemed unsellable due to their shape for instance. They are then turned into a farm-to-table product. This is through Grub Homemade model.

So, as individuals, how can we personally prevent food wastage or what can we do about food wastage?

  •  As a food producer, you can reduce wastage by investing in better harvest and storage-technology to avoid food loss
  • As a retailer, you can reduce the price of those imperfectly shaped or shapeless vegetables or donate the unsellable yet edible surplus grocery food to those in need rather than disposing of them.
  • Revising those sell-by expiration dates so that the perfect and safe food products are not discarded.
  • Raising awareness on food wastage education such as what Grub Cycle is doing should be highly encouraged.
  • Food that is not fit for human consumption should be fed to the animals.
  • As an individual consumer,  you should be more careful when shopping and only pick the necessary things.
  • We can also use better methods to store and recycle leftovers and request smaller portions in restaurants.
  • Food wastage pyramid is based on garbage, so as policy-makers, they can enhance the ability of producers, retailers and consumers to turn that pyramid around.

With all that Grub Cycle has done and measuring their social impact performance to prevent food wastage, Grub Cycle has also managed to save 2201 kg of food from being wasted and this number is still increasing.

Save Money
Foodies will get the satisfaction of their money’s worth with every inexpensive purchase. To reduce daily expenses for customers, as a matter of fact, the grocery price has been increased by 25% since 2010 but the average salary in Malaysia has only increased by 20% within the same period based on a survey by Grub Cycle through an interview. With this issue at hand, the low-income community is unable to make ends meet when it comes to buying food or grocery products. But with the Grub Grocery and Grub Mobile, all those low-income community areas are able to have direct access to a below market price surplus food.

Help Others
Grub Cycle Co-founder has taken pride in himself to be someone who really cares about the less privileged community and he constantly encourages other entrepreneurs to also contribute to the community positively. So Grub Cycle encourages everyone to become an agent of change in their respective community. This can be done by buying from Grub Cycle because with each item sold, a percentage of Grub Cycle’s profit will benefit the underprivileged. Till date according to the Grub Cycle website as at the writing of this article, 250 Grub Bags had been delivered.

Food waste is one of the biggest concern of the world. In fact, by 2050, the world needs to produce at least 50% extra food to feed 9 billion people. While 25% of crop yield may be decreased because of climate change. Moreover, most of the food
manufacturing companies, municipalities, supermarkets, restaurants, and the federal government start applying practices and critical strategies for decreasing food waste[1].

Take Malaysia, for instance, food waste is a huge problem. Based on the SWCorp Malaysia, a government agency which deals with solid waste stated that they generate 38,000 tonnes of waste per day and around 50% of the solid waste is food waste. Moreover, out of 50% of solid waste, 60% of waste that going to landfill is still edible which in fact, that could have fed 2,000,000 people. SWCorp has also stated that food waste can increase up to 50% during the festival season.  There have been many movements to combat the food wastage in Malaysia. There are groups trying to recycle the food that is unsaleable at supermarkets. One of them is the Grub Cycle[2].

Grub Cycle is a part of the global movement to combat and decrease food waste and to save the environment. There is a creative way that was used by people from all over the world to combat food waste such as creative marketing incentive that celebrates “ugly” fruits and vegetables. Grub Cycle itself has launched a Grub Mobile which is the first mobile kiosk and it is located in Bukit Lanchong.

According to Grub Cycle website, they have contributed towards saving approximately 2,201 kg of food, saving the consumer expenses of around RM 20,958 with 250 Grub Bags delivered. This proves us that the Grub Cycle model is really working and the effects have also made impacts on people such as, firstly reducing waste by saving edible surplus food from cafes and grocery stores from being thrown away. Secondly, is saving money which foodies will get their satisfaction with their money’s worth with every inexpensive purchase.

In the future, Redza hopes that there are other social enterprises with the same passion and mission as similar to Grub Cycle to combat food waste. This will enable us to work side by side and cut down on the food waste in Malaysia. Redza believes that there are not enough social entrepreneurs to bring about positive changes to the community and environment. If there are enough social enterprises contributing to the same mission similar to Grub Cycle, food waste in Malaysia will cut down to the maximum level.


Grub Cycle is planning on having their own physical grocery supermarket here in Malaysia as a start before the end of this year 2018. With this kind of push, it can change perspectives on food wastage and bring positivity towards the idea of preventing food wastage. It will also be easier for the low-income community to purchase their grocery products at a lower price. Grub Cycle is also looking forward to expanding within the South East Asian Countries like Singapore for a start.

For more information on Grub Cycle feel free to visit our website and view our various products 


To bring truth is to bring peace

To bring truth is to bring peace

Dear colleagues,

My goal in being a reporter is to promote peace.

I have been covering stories of violence in Thailand’s Deep South for five years. I have grown tired and frustrated with what I have witnessed, but a story of a young woman, Khurosmor Tuwaebuecha kept me going.

Khurosmor lost her husband, Abduldayib Dolah in December 2015. A military group in the Pattani province detained him for they thought he was a member of the Runda Kumplan Kecilm, a militant Islamic insurgent group. He died after twenty-six days in detention. Khurosmor believes he was tortured.

I personally talked to Khurosmor in August 15, 2016. I met her three children, all of them in primary school age. She was also looking after her brother’s children—two boys—after he disappeared while under military custody.

One can only imagine the fear and pain she was experiencing. But Khurosmor had the resolve to act and decided to sue the army. She lost in her first court case but did not lost hope. She filed an appeal. Her family, she said, deserves justice.

As journalist, I considered this story of prime importance. Hers is a story not of a victim, but of someone who fights even when the odds are stacked against her.

I did further research and found reports documenting over sixty people who have fallen victim to torture and human rights violations in Southern Thailand. Human rights groups documented cases of suffocation using a plastic bag and strangulation, among others. More than 6,000 people are under custody, justified under Thailand’s state of emergency laws.

I sought the side of a military spokesperson and the Secretary General of the Southern Border Provinces Administrative Centre. They denied the allegations of torture. They told me I got the wrong information especially on torture. They told me not to report my story.

Their reaction was predictable. Politely, I told them I would like to help bring peace to the Deep South by doing my job as a journalist.

Inspired by Khurosmor’s courage, I continued investigating these cases. I read reports of Amnesty International, among others, and learned that the use of torture takes place in our neighbouring countries, including Vietnam and the Philippines.

After writing the script and completing the shoot, I sent my package to the organisation that commissioned my work. They told me to reconsider my story, perhaps change my script. They discouraged me from broadcasting my report for it portrays a negative view of Thailand to the international community. I rejected this request. Media organisations are not public relations companies.

On August 28-29, 2016, my story went on air in the evening news program on Thai PBS.

I share this story to you because I think we share similar problems of violence, intimidation, and suppression of speech. But we know we cannot solve a problem by hiding facts. Violence, whether it is in Thailand’s Deep South, or the Philippines’ secret detention facilities, cannot be eradicated without the press reporting these atrocities.

To bring truth is to bring peace.

Yours in solidarity,
Hathairat (Wist) Phaholtap

Hathairat (Wist) Phaholtap (@Hathai_Thai PBS) is a journalist for Thai PBS. She is best known for her work on human rights in Thailand.

Freedom from self-censorship

Freedom from self-censorship

Hi there,

My name is Annabelle, and this March marks my first year as a journalist.

I work at one of the few independent newsrooms in Malaysia, a country ranked 144 out of 180 for press freedom last year (North Korea polled 180), where “mainstream media” is made up of mastheads owned by political parties that form the federal government.

When I began, I was repeatedly warned that I would be barred from events because of the supposedly “anti-government” organisation I represent. I was also told to be prepared for catcalls and sexual innuendoes by virtue of being a woman in the “dirty” field of political reporting.

When an article revealed that male politicians sexually harassed some of my female colleagues, to my horror, our journalist union chief’s advice to female journalists was to not dress “sex”.

“That’s just how things are,” I was told. Welcome to journalism.

I was lucky when allowed into events I was assigned to cover. On more than one occasion, I merely smiled when inappropriate remarks were directed at me.

Annabelle and team conducting interviews with local community leaders in rural Sabah about how oil palm plantations has affected their livelihood (Credit: Malaysiakini)

I would love to say I was unfazed by all this, but the truth is I was constantly considering self-censorship.

This negotiation was tiring and frankly, suffocating. It distracted me from pursuing the truth and held me back from holding those in power accountable.

It wasn’t until I shared my frustrations with other women in the field when I stopped worrying so much.

Despite being from different newsrooms, experienced female journalists encouraged me to press harder for answers when I considered holding back. They assured me that if anyone at work was inappropriate towards me, they would stand in solidarity as I reported it. Often, when on assignment together, we would work as a team to try and shake answers out from the powers that be.

I found a lot of comfort and strength in them. They became my mentors and friends.

Today, I don’t feel like I am negotiating press freedom as an individual anymore. We are a tribe, and we are fighting both battles together – for press freedom and against a deeply patriarchal culture.

This International Women’s Day, my hope is that women work together to record history through journalism. Journalism needs to prove that it can be a trusted and relevant source of information at a time when “truth” is an increasingly contested concept.

And as Malaysia decides her fourteenth government this year, I urge my colleagues to band together as we push to deliver truth to the people.

In solidarity,

Annabelle Lee (@annabellybutton) is a journalist at She writes about current affairs and politics.

Pressing for Freedom: Letters from the Field

Pressing for Freedom: Letters from the Field

There is no need to be alarmist, but we are in trouble.

We are in trouble because press freedom in Southeast Asia is on the decline. A political commentator was shot dead in broad daylight in Cambodia. Nations are ruled by strongmen who openly declared journalists as enemies. Media organizations are shut down and journalists are arrested based on obscure legal justifications.

We know what will happen if things do not get better. If the press is not free, power is left unchecked. If our journalists are silenced, the value of truth-telling is diminished.

But there is no need to be alarmed. On International Women’s Month, we at BroadAgenda, put together a series of letters from the field, written by the region’s most insightful journalists.

These women’s message is simple. We’ve got this.

This series features six letters from Malaysiakini’s Annabelle Lee (Malaysia),’s Pia Ranada (Philippines), Prachatai Online’s Thaweeporn Kummetha (Thailand), Thai PBS’s Hathairat Phaholtap (Thailand), and freelance journalists Amanda Tazkia Siddharta and Febriana Firdaus (Indonesia).

Each letter tells stories of overt intimidation and subtle forms of silencing. The gendered dimension of these stories could not be more pronounced. In this series, we will read stories of powerful men ignoring questions from female journalists, military officers instilling fear to inquisitive reporters, religious fundamentalists declaring one an infidel for covering LGBT issues, and a sexist head of state banning a young journalist from coverage.

The letters are written by female journalists for female journalists, although these messages are also for anyone who cares about democratic politics.

We are reviving the art of letter-writing because we believe in the subversive power of deeply personal reflections. They soothe anxieties in dark times. They inspire willfulness when it is time to act. They are reminders that the pressing for freedom is a collective yet deeply personal fight.

I learned a lot reading these letters. I learned that self-doubt is common but quitting is not an option. I learned the power of women from different newsrooms coming together to demand answers when they are ignored. I learned that despots feel threatened by women who refuse to back off.

To all women fighting for press freedom, don’t let tyrants grind you down. We know they won’t win.

Pressing for Freedom: Letters in the Field is originally published in BroadAgenda, the official website of the 50/50 by 2030 Foundation. The series is simultaneously published in Malaysiakni (Malaysia), (Philippines), and Prachatai Online (Thailand).

Nicole Curato (@NicoleCurato) is BroadAgenda’s Guest Editor for the month of March. She is a Senior Research Fellow at the Centre for Deliberative Democracy and Global Governance at the University of Canberra and holds Australian Research Council’s Discovery Early Career Research Fellowship for her work on democratic innovations in sensitive political contexts.

I’m very clumsy, I fell into stand-up comedy

I’m very clumsy, I fell into stand-up comedy

Armed with a ukulele, a raspy voice and a big personality, Hannan Azlan has had a meteoric rise in the stand-up comedy scene, making her television and international debut within six months of starting in 2015.

One day after her first anniversary in stand-up, she became the youngest and only female winner of the Hong Kong International Comedy Competition.

But the path she took in her career in stand-up comedy turned out to have been mostly a series of leaps of faith and happy accidents.

The 23-year-old bundle of enthusiasm, who brims with charm, said even her foray into stand-up comedy was an accident.

“I fell into stand-up in 2015. I am very clumsy, I don’t tie my shoelaces,” she quipped during an interview with Malaysiakini.

Hannan, who was born in England but grew up primarily in Ampang, had never originally intended to join stand-up, as she previously worked in theatre as an actor, musician, composer and lyricist.

But once she tried stand-up in October 2015, upon the recommendation of a friend, it was full-steam ahead for her as two months in, she self-funded a trip to perform in Singapore, booking shows wherever she could.

There’s just something different about going to a new country, nobody knows who you are, there is no context, no relationship, and then doing well and performing and doing the work.

“That was a beautiful experience, very humbling and I learned a lot,” she said.

About six months in, the comedian who incorporates music into her sets, had her international debut at the Singapore Fringe Festival in April 2016.

Relentless momentum

That was when she decided to quit her part-time jobs in theatre to pursue stand-up full-time, and she started performing in various places.

Eventually, she ended up in Hong Kong, “just to check out the comedy scene”.

But she then decided to participate in the Hong Kong International Comedy Competition 2016, which she ended up winning. She remains the youngest and only female winner of the competition.

Hannan kept the momentum going after that, continuing to perform in Hong Kong, and then returning to perform in Malaysia before going to Thailand and Singapore.

But with her prize winnings of HK$40,000, she decided to pay her way to perform in Melbourne, Australia during the Melbourne International Comedy Festival 2017.

The month-long Melbourne International Comedy Festival usually invites and sponsors comedians from all over the world.

But as Hannan was not part of the official line-up that year, she had to pay for everything herself. She still grabbed that chance, even though she only had shows booked for the first week.

Her gamble paid off. Not only was she consistently invited back to perform throughout the month, but a few months later, she was invited to perform in Edinburgh by other comedians she had met at the Melbourne comedy festival.

That then led to a series of opportunities to perform throughout Europe, such as in Berlin and Prague.

Hannan has since then performed in her first full-length music-driven theatre piece called “Losertown,” hosted and produced comedy shows and is currently nominated for the Women of the Future Awards: Southeast Asia under the Arts and Culture category.

This year, she has also been officially invited to feature at the Melbourne International Comedy Festival, and she intends to make her US debut in Los Angeles and New York City in 2019.

This is her story, in her own words:

“A lot of comedians before they start doing stand-up, they have an interest in it and they watch a lot of comedy specials and things like that but I’D NEVER EVEN CONSIDERED IT.

(Fellow comedian) Harresh told me to do an open mic, I did an open mic and it went really well. I was really lucky, it was a very good first show.

“The second show that I did, it was just okay. It wasn’t a bomb but because the first show went so well, the second show felt lacklustre so I felt really frustrated.

THE THIRD TIME I DID STANDUP, I DID MY MUSIC, and that was quite magical.

I’ve been very lucky, not everyone has been given the opportunities that I did in such a short amount of time, it surprised me as well.

“(My comedy) has developed over the years. I started off with a kind of ironic distance, playing off big twists like a cute little girl but actually naughty and predatory.


Think Bieber before “Baby”; kind of raw, innocent and acoustic mixed with silly jokes.

Malaysians Kini – Hannan Azlan

This week on Malaysians Kini – The multi-talented stand up comedian, Hannan Azlan

MALAYSIANSKINI | Armed with a ukulele, a raspy voice and a big personality, Hannan Azlan has had a meteoric rise in the stand-up comedy scene, making her television and international debut within six months of starting in 2015.


Posted by Malaysiakini on Friday, 16 February 2018

“I’ve been doing a lot of jokes about my identity, as a mixed-race person, as a youth, as someone who loves this country and is scared and sad to see how not everybody is treated as well as they should be.

“I visited Hong Kong in June 2016 just to check out the comedy scene. Then I joined the competition in October.

I DIDN’T WANT TO COUNT MY CHICKENS BEFORE THEY HATCHED so I only bought a one-way ticket to Hong Kong. The day after my preliminary, I flew to Manila to perform there as well, and I only had a one-way ticket to Manila because I didn’t know whether I was gonna get into the finals or not.

“So I got into the finals and IT WAS THE DAY AFTER MY BIRTHDAY, so it was just my one-year anniversary of doing stand-up.

I started in 2015, I celebrated my birthday at an open mic on a Wednesday and then one year later, I celebrated my anniversary at the Manila airport because my flight got delayed and then I arrived at Hong Kong at 5am of the day of the finals.

“After the competition, I stayed on in Hong Kong for quite a while. I WAS STARTING TO FEEL COMPLACENT.

I WAS AWARE OF THE FACT THAT I’M SO RAW. I mean, come on, one year in? Comedy is very humbling so I didn’t want to just rely on the same five minutes so I threw in my old set and did a lot of improvisation.


I think maybe because I’m so familiar with Kuala Lumpur and I understand a lot of the cultural nuances and humour.

In Hong Kong, I don’t have that luxury, it’s kind of like comedy without a net, so I was doing a lot of improvisation. I am glad I did that.

“In March, I went to the Melbourne International Comedy Festival. It was my first time performing in Australia, it was incredible.


And I was there “illegally,” I was sleeping on (comedians) Douglas Lim and Jinx Yeo’s floor.

I was a poor 22-year-old up-and-coming comedian so I think they looked at me and they saw me as an investment… as a kindred spirit and they let me sleep on the floor of their living room.

That’s what I went there for. IT WAS NOT ABOUT SHOWBIZ OR GLAMOUR. It was about me going and performing four times a day and honing my craft.

“Because I was there (in Melbourne), there was another comedian who invited me to do a show in Edinburgh and I had no idea that was coming.

I TOOK A CHANCE AND IT PAID OFF. I had no idea that was going to happen but because I was there in Melbourne, it led to this opportunity in Edinburgh.

“So I was in Edinburgh for four weeks and that was the most I’ve ever performed. I think my total was 116 SHOWS IN 26 DAYS.

I really grew and developed and was really humbled. I felt very connected, like I was at my best. I FELT LIKE I UNDERSTOOD MY PLACE.

“(For my second anniversary in stand-up) I had a birthday show in Kuala Lumpur, we had a midnight show.

It was a midnight show and it was a full house, it was beyond my expectations. It has never been done before in Kuala Lumpur and I’m so happy.

It was an incredible experience. I guess I doubted I could pull off a show, I doubted myself.

“THE REASON WHY I TOUR (internationally) is because if you want to gain muscle, you work out a certain amount per week. In Kuala Lumpur, I can work out a maximum of four times a week, if I’m lucky. But when I’m at these festivals, I can perform more.

THE MORE I GO, THE MORE I GROW. The more I grow, the more I would have to bring home.

If I hadn’t gone to Edinburgh, I wouldn’t have had the confidence to do a midnight show and have my own compilation show.

“I feel like it is beyond me. I feel like I have just been given all these opportunities and gifts at the right time and the right place.

“In December 2017, ‘Losertown’ debuted and it was cathartic. I really feel like I let go of a lot of personal things, a lot of things I wanted to talk about in stand-up but couldn’t because STAND-UP IS A CONTRACT YOU HAVE WITH THE AUDIENCE.

There were a lot of issues I couldn’t talk about in stand-up because I just couldn’t make it funny, so I kind of got to release a lot of that through this theatre show.

“In a lot of places, if you are not a straight white guy, things are just harder, like I’ve been sexually harassed.

The first time I have ever been verbally sexually harassed was by the owner of a comedy club who was drunk.

WHAT MADE ME SAD was this was someone whom I looked up to. It felt so disrespectful and I felt so sad that I was being treated this way.

I talked about that once on stage, just once. I just don’t know how to make it funny yet. Maybe because partially, I felt like I just haven’t found a way to talk about it.

“MY LONG TERM GOAL is to bring Malaysian talent to international festivals. The dream is to create opportunities for other artists.