Ostracised, yet young animal lover risks all to rescue animals

Ostracised, yet young animal lover risks all to rescue animals

Ostracised, yet young animal lover risks all to rescue animals

Annabelle Lee | 29 March 2017

Norashikin Ahmad, 24, has been rescuing dogs and cats ever since 2014 when she got her first job. She houses 120 cats and 50 dogs in a purpose-built shelter next to her home in Alor Gajah, Malacca.

On top of running the shelter, she works full-time, helps out with her mother’s food business and has to travel to the mosque in the next village to pray as she is not welcome at the one right outside her house.

We first meet Shikin (as she is commonly known) at the Alor Gajah morning market where she works at her mother’s food stall on Sundays.

After the market, we follow her to a small village off the main road. There are several buildings on her property but none that look, or smell, like an animal shelter.

Shiro, a tiny scrappy-looking shih tzu, straggles out to greet us.

Shikin throws Shiro a rubber ball as she points to a maroon-coloured building in front of us, “that’s my shelter!

At the entrance of the shelter is a brown three-legged dog who hops timidly behind Shikin as we come close.

Once inside, cats climb on top of each other playfully to clamour for Shikin’s attention. The smooth cement floor is carpeted with cats in all colours, sizes and resting positions. It is hard to know where to step! In the midst of all the meowing we hear a bark. A mother and her four puppies jump up to get a glimpse of us. Their tails wag from their enclosure behind the cat carpet.

Shikin has repeatedly renovated this shelter to enlarge it. She has built another single-storey structure and is currently adding a drain and cement floor to a third. All to house her ever-growing number of rescued animals.

Besides renovation work and pet food (which costs RM3,000 a month), Shikin says its veterinary bills that cost the most.

Shikin takes several animals to the veterinarian every single day. She rarely has enough to pay the bill and as a result, she has racked up more than RM10,000 in debt.

“I never have enough money but the doctor allows delayed payments and lets me post a picture of the bill to my Facebook group to appeal for donations,” Shikin says.

Members of her Facebook group, Shikin Team Animal Rescue (STAR), regularly donate. She breathes a sigh of relief as she tells us about an anonymous donor who donated RM8,000 towards her veterinary bills just last week.

“I prefer large donations to go straight into the veterinary clinic’s account so people don’t accuse me of using the money for myself. The doctor takes a photograph of the bank statement for me to post on Facebook,” explains Shikin.

Kicked out of the house by her mother

A white house stands next to the shelter. It was built by her mother to be rented out as source of income but “no one wanted to rent it once they knew we had dogs on the property,” says Shikin.

It is culturally taboo for Malays to keep dogs as pets because dogs are considered unclean (or haram) in Islam.

In addition to selling food and drinks at the morning market where we met Shikin, her mother supplies nasi lemak to food stalls in Malacca during the week.

“People started boycotting her food when they found out we were keeping dogs,” says Shikin.

Her mother even stopped praying at the surau right outside their house because villagers kept insinuating to religious teachers that her family was committing a religious offence by keeping dogs on their property.

The pressure became too much for Shikin’s mother to bear and as a result she kicked Shikin, her youngest daughter, out of the house.

“She told me take my dogs and cats with me to live somewhere else.”

Only after Shikin’s older sister interfered did she change her mind.

Shikin now rents the white house from her mother to house disabled cats.

As we enter the house, Shikin calls her cats by name and they respond by brushing their bodies against her legs.

Many are crippled and blind from being run over by vehicles. One such cat could not scratch himself because he had lost his hind leg. This other cat had alimentary tract problems and could only consume liquid food, on top of being crippled. One cat developed nervous problems after she was forced by her owner to breed multiple times in a year. Another shivers uncontrollably due to Parkinson’s disease.

Cats in here thus need special care. Shikin prepares them their individual servings of food and medicine every day. She also takes a number of them to the veterinarian for weekly acupuncture appointments.

Shikin explains her daily routine.

She wakes up at 4am every morning to help pack nasi lemak for her mother. After a short nap, she gets ready for work and feeds all her 120 cats and 50 dogs. She packs any sick animals into her car before driving 40 minutes to her full-time job as a medical equipment technician at a rehabilitation centre.

“I start work at 8.30am but I am always rushing, I am always late,” says Shikin.

On the way to work she often stops for stray cats and dogs.

“It is never my plan to rescue animals but sometimes I take a shortcut to work and there he or she will be. Maybe it was meant to happen. If I don’t stop I won’t be able to sleep at night,” she says.

During her lunch break, Shikin brings her sick animals, along with any strays she has picked up, to a veterinary clinic near her workplace.

She then returns to the clinic after work to collect her animals. Over the years the veterinarians, all whom have become her good friends, have taught her to perform simple procedures like cleaning out maggot wounds or inserting subcutaneous needles. The clinic is often busy until closing time and the veterinarians willingly stay after hours to attend to her animals.

She is exhausted by the time she gets home at 10pm, but still she has to feed her animals their medicine before she is done for the day.

Nevertheless, she is proud that many sick animals, like her disabled cats, have shown progress under her care. Most can now enjoy their food, walk about, and socialise with other cats.

“Just last week, some of the cats got too fat and broke the window panes they were resting on. I had to build them book racks to sleep on instead!” says Shikin while laughing.

Problems with the neighbours

We walk up the hill where we meet her dogs.

Shikin has little wooden dog houses dotted around her property that house individual dogs. She started rescuing dogs when she visited the Alor Gajah pound and saw how dogs were left with no water or food. Now, her work colleagues and even students at a nearby university inform her when they encounter injured stray dogs.

Dogs start emerging from dog houses and they bark excitedly at us. Like her cats, she knows them all by name.

People in her village have in the past accused her dogs of eating their chickens and goats.

“I asked them to show me proof. I asked them to show me photographs and tell me which one of my dogs did it. They could not show anything but still they went ahead to report me to the local authorities,” laments Shikin.

When the local authorities came to her property, she set all her dogs and cats free from their cages and enclosures to prove they would not run away to her neighbours’ houses. She wanted to show that the allegations against her rescues were baseless.

She also asked for proof when her neighbours complained about her cats breaking their flower pots.

“Even my dogs can’t break flower pots, their complaints are so illogical,” she says impatiently.

Like her mother, Shikin has stopped visiting the nearby surau. She travels to the mosque in the next village to pray.

Next, a world-standard animal shelter

At the end of the hill is a fenced enclosure where we meet 35 excited puppies. Yapping and yelping, they compete to squeeze under the doorway fence. Shikin is currently constructing an additional area for the puppies. Complete with a drain and cemented floors, it will give the puppies an even larger compound to run about in.

Her dream is to have an open-air shelter where dogs and cats are free to roam.

“I want to build it on a large piece of empty land and just like the shelters overseas, it will have areas for animals to play, rest and bathe. Animals will neither be in cages nor be leashed up. It will have staff and be very systematic. That is my dream,” says Shikin.

What inspired you to rescue animals in the first place? We ask.

This breaks Shikin’s determined gaze, she starts to cry.

“My inspiration, the only person who really understands me, is dad,” she struggles to continue.

As a child, Shikin spent almost all her time with her father. They could not afford to have animals at home so he would drive her to his friends’ homes just so she could play with their animals. Her earliest memory, she says, is of her dad saving a drowning puppy from a drain.

“He loved animals so much. He would stop his car in the middle of the road to move a monkey that had been run-over to the side,” she tells us.

Her father died of lung and heart problems five years ago, Shikin remembers the exact date and all the details of his stay at the hospital but most of all she remembers his words to her.

“He taught me that all animals are God’s creations. Dogs or cats, there is no limit to what and how we can help.”

Shikin welcomes donations, volunteer groups and adoption requests. She can be contacted at [email protected] or through private message on her Facebook page.

Man on mission to get more brethren into gender causes

Man on mission to get more brethren into gender causes

Man on mission to get more brethren into gender causes

During his student days, Yu Ren Chung was interested in working on environmental issues and took up electrical engineering in university so he could focus on renewable energy and clean technology.

Yu has changed course since then and is now working for Women’s Aid Organisation (WAO), where he is the advocacy manager.

He credits prominent Malaysian women activists, especially Sisters In Islam (SIS) founder Zainah Anwar (below, right), for sparking his interest in gender equality.

As an undergraduate in Northwestern University, United States, Yu said he was first introduced to the world human rights activism when he attended a talk by Zainah in the US.

“By chance, she was travelling in the US when I was studying there and I attended an event organised by Malaysian students.

“She talked about her work in SIS and women’s rights in Malaysia, and I was really inspired by that, so I started researching a bit more and read about people like (Tenaganita co-founder) Irene Fernandez and the work she had been doing with migrant women,” he said in an interview with Malaysiakini at the WAO office in Petaling Jaya.

At around the same time, Yu was beginning to get disillusioned with approaching environmental issues through technology as he realised it was more of a political problem.

Instead of turning his back entirely, he delved into politics and public policies instead, taking up a minor in environmental policy and volunteering with political campaigns in the US as a student.

“I felt like the real challenge that needed to be solved was mainly political problems.

“Science and technology was way ahead and politics was way behind, so I focused my energy on (changing) that, so that exposed me to a number of issues like civil rights issues beyond environmental justice,” he said.

WAO a learning experience

When he returned to Malaysia, he was looking for a job in human rights advocacy and WAO seemed like the right fit for him, he said.

He has now worked for WAO for close to four years now, and it has been a “learning experience” for him.

While WAO provides services, crisis shelter, counselling and case management for domestic violence survivors, Yu focuses on advocacy work to change public policies and public attitudes.

He cited the Domestic Violence Act, where they have been pushing for reforms for three years, working closely with the Women, Family and Community Development Ministry, the Attorney-General’s Chambers, the women’s parliamentary caucus, the police as well as through joint advocacy with fellow women’s groups in Malaysia.

“The policy division within the Women, Family and Community Development Ministry is very proactive and forward-looking and we have a very good collaborative relationship with them,” he said.

WAO also works to improve enforcement of public policies, he said, recalling an instance when a hospital improved their one-stop crisis centre services after intervention from the women’s rights group.

They also advocate to change public attitudes about women’s rights, especially domestic violence against women, he said.

“That’s less about what the government is doing and more about what are people doing by themselves.

“Is violence against women something that people tolerate, like if you suspect domestic violence is happening in your neighbour’s house, are you going to stand by or stand up?” he said, giving an example.

Men have role

Though he has seen a positive impact from their work, there is still “a lot of room that needs to be filled”, he said.

Men, he said, have roles to play in the fight for women’s rights and gender equality as well.

There are two impetuses for men to be more proactive in the movement, he said, with the first being the effectiveness impetus, where there are certain situations where a man can be more effective in advocating for women’s rights.

Research has shown that a lot of men are more receptive to listening to other men when it comes to matters of women’s rights, he said.

Spaces that need to change the most are also usually the very spaces where men are most dominant, he added.

“Imagine if you are in a boardroom or any sort of high-level leadership where men are more representative because of other gender inequalities… those are spaces that more men have access to so there is a need (for men) to speak up in those areas,” he explained.

Aside from that, men also have a moral impetus to get involved in advocating for gender equality as most often, men are perpetrators of gender-based violence, he said.

Men top of chain

Even for men who are not directly oppressing women, Yu said all men benefit from the patriarchal system and male privilege regardless.

“In terms of fairness, there is a moral responsibility on men to actually do something about (gender inequality),” he said.

Men do not necessarily need to have special roles to play in the movement, he said, but they do have a responsibility.

There are several ways for men to be good allies in the fight for gender equality, he said, such as simply not perpetrating or perpetuating gender inequality and harassment.

More men should learn to question themselves on how they interact with their female colleagues, friends and family, he said.

They should also take it upon themselves to speak out when someone has said something that might be sexist, especially in a space with other men.

“Having more men that can be role models to champion this issue is something that can be important.

“It normalises the idea that men can take responsibility and be part of the solution,” he said.

WAO Hotline: 03 7956 3488

Or SMS/Whatsapp TINA at 018 988 8058 if you or someone you know is experiencing abuse.

Escaping from North Korea in search of freedom

Escaping from North Korea in search of freedom

Video by One Young World

Yeonmi was speaking at the One Young World Summit 2014 in Dublin, Ireland. The Summit brought together 1,300 young leaders with 194 countries represented to debate and devise solutions to some of the world’s most pressing problems.

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Hope for domestic violence survivors

Hope for domestic violence survivors

Hope for domestic violence survivors

Tan Heng-Lee | 13 March 2017

When her husband hit her, Alice knew she had to leave.

She called 999, and they gave her Women’s Aid Organisation’s (WAO) hotline number. With WAO’s assistance, she lodged a police report and obtained an interim protection order. The police supported her throughout the process, even arranging her transportation to meet with the deputy public prosecutor. The court subsequently found her husband guilty of domestic violence.

Alice obtained justice because various stakeholders worked together in responding to her case.

Her story is one of 21 stories featured in WAO’s newly-launched case study report – ‘Perspectives on Domestic Violence: A Coordinated Community Response to a Community Issue’. In the report, domestic violence survivors share their experiences leaving violence, accessing protection, and seeking justice. Their stories show how a coordinated community response can change the lives of women facing domestic violence.

“This response must come not only from NGOs and the police, the welfare department and other government stakeholders, but from every community member. At the centre of this coordinated community response must always be the survivor,” explained Natasha Dandavati, WAO’s advocacy officer and author of the report.

The report also highlights WAO statistics and recommendations for policy makers to strengthen the response to domestic violence. The case study report can be downloaded at wao.org.my.

Together with the report, WAO also launched ‘Harapan Sentiasa Ada’, an art exhibit at Masjid Jamek LRT station, on display from March to mid-May 2017. The art exhibit features artwork by domestic violence survivors, their quotes, and illustrations of TINA. TINA or ‘Think I Need Aid’, is the WAO SMS/WhatsApp help service – conceptualised as a person survivors can talk to.

The art exhibit is sponsored by Selangor Properties Berhad and supported by Think City, as part of the Arts On The Move programme – a joint initiative by Think City and Prasarana Malaysia Berhad.

“Our art exhibit amplifies the voices of domestic violence survivors, many of them now empowered advocates in their own right. Their art offers hope to other survivors, and encourages them to seek protection and justice,” said Tan Heang-Lee, WAO’s communications officer.

“Art and stories make the impersonal personal. By highlighting the stories of domestic violence survivors, we also hope that the public will recognise our collective responsibility to reach out and support survivors. Domestic violence is a community issue – and it takes all of us to end domestic violence,” added Tan.

The launch was held in conjunction with International Women’s Day.

Through these projects, WAO hopes to amplify the voices of domestic violence survivors, enhance their access to protection, and ensure a coordinated community response to domestic violence. Together, we can bring hope and change the lives of domestic violence survivors.

If you or someone you know experiences abuse

Call the WAO Hotline at 03 7956 3488. Or SMS/WhatsApp TINA at 018 988 8058.

TAN HEANG-LEE is communications officer, Women’s Aid Organisation (WAO).

Ballerina loses sight, but gains new vision through her foundation

Ballerina loses sight, but gains new vision through her foundation

Ballerina loses sight, but gains new vision through her foundation

For Yvonne Foong, setting up an international foundation and writing her second book seems like the most natural thing to do.

This is despite her losing her sight a year ago, and her hearing when she was 19 years old.

Foong, 31, has Neurofibromatosis Type 2 (NF2), an incurable illness where benign tumours develop in the nervous system which caused her to lose her hearing in her teens and later on, her vision.

Undeterred by the disease and its complications, she continues to pursue her goals of helping others through her foundation aimed at NF2 patients worldwide.

On a sunny day in Petaling Jaya, Foong spoke to Malaysiakini about her childhood experiences that have set her on a trajectory for her mission in life.

Before the interview began, her mother reassured me that I would be able to communicate with Foong by writing on her palm.

The petite Foong sat down next to me, greeting me with a smile and a spirited wave.

She extended her left arm and opened her palm, miming writing on it.

I moved my index finger to form a “how” on her palm, and she nodded and vocalised each word as I wrote.

“How do you feel today?” I completed writing the rest of my question on her palm.

“I am a little tired today,” she replied.

She had been busy yesterday, she explained, working with her personal assistant Hui Li on a PowerPoint presentation for the talk she will be giving on Sunday at the Federal Academy of Ballet (FAB), where she used to dance.

She said she used to edit her PowerPoint presentations herself but has needed Hui Li’s help ever since she lost her eyesight last year.

Even so, her voice is jovial and spirited, filling the living room of her house, furnished with a few pieces of rattan furniture and a vase of fake flowers near the window.

I moved my finger on her palm to ask her if this is her childhood home.

She did not grow up in this house but in Subang Jaya, she said.

One of Foong’s earliest childhood memories was making frequent trips to the hospital when her father suffered a brain haemorrhage.

“My father’s brain was damaged in a way he was unable to control his emotions or express himself congruently,” she told me.

Unaware of symptoms

Her aunt Ivy, her father’s younger sister, was close to her father and she stepped in to care for Foong as her mother became burdened with caring for her father.

“See this deformity in my left eye?

“My aunt realised how my left eye affected my self-esteem and also that my parents were unable to care for me optimally, so she sent me to learn ballet at FAB,” she said, recounting her youth.

In addition to ballet lessons, Ivy sent her niece to figure skating classes and squash lessons in the hope that Foong would “grow up like a normal child”.

Under her aunt’s tutelage, Foong’s daily life as a child soon became inundated with activities, which she loved.

Through these activities, she said she developed dignity, honour and a keen sense of self-awareness.

In her early teens, the symptoms of her disease started manifesting, though she and her family were unaware of it.

She said she continued to lead an active life even as her body began giving in.

At 14 years old, she took her Grade 5 ballet examinations even as her spine was collapsing.

“I fell down very dramatically while doing a pirouette,” Foong recalled, adding that she received a high commendation despite that.

She also continued participating in figure skating competitions, squash tournaments and choir performances, even as she lost both her hearing and her balance.

“I wanted to live the best I could,” she replied, especially after her aunt died of terminal cancer in 2001.

It was in 2009 when Foong, at 16, was finally diagnosed with NF2.

It was then she learned her deformed left eye was not deformed after all, it had simply been pushed upwards by a tumour in her face.

What she did after her diagnosis was widely reported. She started a campaign called ‘Heart4Hope’ where she sold T-shirts to fund her own surgeries in the US.

That same year she wrote an autobiography entitled ‘I’m Not Sick, Just a Bit Unwell’, with all proceeds from the book going towards raising funds for her surgeries.

She started speaking at universities and events about her experiences living with NF2, and began keeping a blog where she discusses her life up to this day.

‘Forgiveness is not easy’

In January 2016, Foong underwent two brain surgeries as well as a surgery to install a feeding tube into her body at the US National Institute of Health (NIH) in Maryland.

One week after her surgeries, her eyes dried up and she lost her eyesight, she said.

“The doctors in the ward neglected to give me eye care. During the surgery, the facial nerve was irritated and this impaired tear production,” she explained.

Foong’s face showed no trace of contempt or anger while relating the story.

She shifted her bony shoulders, tilted her head down and brought her right hand to her chin.

“I was upset, but I have been working on forgiveness. Forgiveness is not easy.

“When I am relaxed I can forgive but when I have difficulty doing things, the frustration surfaces, then I will need to work on forgiveness again.”

There is a silver lining in this, she said.

“Before my vision was damaged, it was very difficult for me to live slow (as) I am used to living fast.

“Now it is an opportunity for me to slow down,” she mused.

We had been talking for over an hour by this point in the interview and Foong sounded like she was running out of breath.

We paused the interview to take photographs of her and her childhood pictures.

Foong needed help adjusting her face to look at the camera and joked about needing Photoshop because she was not wearing any make-up.

Foundation her life mission

She returned to Malaysia in February 2016 after recuperating from her surgeries in the US.

With Hui Li’s help, she got started on her second autobiography about her life as a young adult.

She also began building Works of Gratitude, a charitable foundation that aims to assist NF2 patients worldwide in getting treatment in the US so they have a better chance of survival.

“The foundation is a big goal, it is now my life mission.

“Even after I came back from surgery with damaged vision, I still had to continue,” Foong almost ran out of breath as she raced through her words.

I tapped her shoulder to assure her we could slow down the conversation but she was determined to continue.

The active lifestyle she had as an adolescent had made her accustomed to keeping herself busy.

“It has already been programmed in me,” she said.

She first tried starting the foundation in Malaysia but struggled to land sponsors, especially when the economy slowed down in the middle of last year. She then realised she could start it in the US.

“All the doctors who can help us survive are there (the US), so I decided to work with doctors in the US instead.

“Once I changed (the direction of) my goal, things started to grow and doors started opening,” Foong said, beaming.

One doctor she is partnering with is Dr Rick A Friedman, whom she has known for 12 years.

Friedman is the division director of skull-based surgery at the Keck School of Medicine of the University of Southern California.

Works of gratitude

Through the foundation, patients will have access to a fixed price package of US$80,000 (RM340,000) per brain surgery rather than be billed for each procedure they undergo, and the foundation will subsidise all hospital charges, an estimated 65 percent of the total bill, Foong explained.

She believes sponsors will come forward once she reveals her foundation’s plans and strategies. She also believes her foundation will benefit patients from all over the world.

“In many parts of the world NF2 patients became paralysed and perish after just two or three surgeries.

“This foundation aims to change many people’s fates… In many countries, people would not even speak about the mortal truth of NF2,” Foong wrote on her blog.

She does not want other NF2 patients to rely on her or on her foundation but rather she hopes to empower them to make decisions to extend their own lives.

“I want to guide others to help themselves,” she said, adding that she hopes to launch Works of Gratitude this June.

So what is daily life like for you, I wrote on her palm.

“Now that I can’t see, I can’t do much except eat, sleep and take care of myself. I can’t write or use a computer or use a phone. I need to speak slowly,” she said.

Foong sipped on some water.

“But since I already have this condition, I might as well do something good with it. I might as well help people.”

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Thaipusam spray paint threat spawns ‘painted goddesses’

Thaipusam spray paint threat spawns ‘painted goddesses’

Thaipusam spray paint threat spawns 'painted goddesses'

Geraldine Tong | 6 March 2017
中文版Bahasa Malaysia

Anger was the first thing artist Ruby Subramaniam felt when she read a vigilante group’s threat to use aerosol spray paint on “inappropriately dressed” women at Thaipusam events.

Instead of stewing in her anger, the self-taught artist decided to do something about it.

She reached out to friends whom she knew, had also been vocal against the vigilante group and proposed an art project titled “This Body Is Mine”, where she painted women to symbolise Hindu goddesses instead.

“It started out in the beginning as something to poke fun (at the vigilante group).

“If you’re going to spray paint us, might as well I paint on women’s bodies because at least it will be prettier,” Ruby said to Malaysiakini in an interview at Talent Lounge in Damansara yesterday.

Of course she was angry when she first heard the news, the 28-year-old said.

As someone who has attended Thaipusam since young, she said she has seen and experienced many issues during the events.

Not only are there men who are drunk and playing really loud non-religious music, Ruby revealed that she was molested at Batu Caves during a Thaipusam event when she was in her teens.

“Women have been keeping quiet all these years, tolerating these things they have been doing to us, but suddenly now our skin disturbs you?” she asked.

But Ruby knew if she wanted to get her message across in a way that encouraged discourse instead of merely inviting brickbats, she had to do it in a subtle and artistic way.

Ruby and her collaborators shared the same objective, that is they wanted to see the culture be more accepting of the different roles that men and women play instead of focusing too much on the way women dress.

“If we are going to pray, let us focus on the praying, instead of focusing on the clothes,” she said.

Along with her friends, and several photographers, they began to plan what they were going to do.

They decided to base it around the three Hindu goddesses who Ruby described as the “foundation of all of it”.

“The creator (Saraswathy), the preserver (Lakshmi) and the destroyer (Kali), so I based ‘This Body Is Mine’ on that concept and then chose the values based on the hopes I have for younger women out there to embrace their bodies,” she said.

Positive response from women

First, they had to decide which goddesses Ruby was to draw and how she would convey the symbolism of the goddesses on her models.

She then released control to the models, all classical Indian dancers, who decided how they would portray the goddesses they were meant to embody.

Finally, the photographer captures the moments in the most aesthetically pleasing way.

The whole process, spanning the planning, three separate photoshoots and editing, lasted about 10 days, she said.

She began posting the photos on Feb 1, and has since received overwhelmingly positive response.

“A lot of women have come up to me, saying that this is something that they needed and they interpreted it on a personal level, not related to Thaipusam.

“It was like ‘If I see this model do this and be comfortable in her body, that makes me comfortable with mine too’.

“That was something really nice to hear, that a collaborative effort like this, a small idea, ended up comforting a lot of other women about their own body,” she said.

Ruby said this is not the first time her artwork had challenged social convention.

Describing herself as a feminist even from a young age, she said a lot of her work tries to get people to question themselves or the society.

“I draw women who are half nude and that makes a lot of people uncomfortable.

“I like that quote, ‘art should comfort the disturbed and disturb the comfortable,” she said.

Though she recalled that anger fueled her initial desire to start the “This Body Is Mine” project, she said her collaborators and her had a lot of fun during the process.

The first photoshoot was with Harshini Devi Retna, who was painted with an owl as a symbol of the Hindu goddess Lakshmi, the preserver and Vinoth Raj Pillai as the photographer.

The photoshoot took place at Masjid Jamek, and Ruby commended Harshini’s bravery in bearing the gazes of the public at the crowded area during the photoshoot.

“At that point, you could see everyone staring. We kind of had a giggle about it, and it was interesting to see how the public was reacting to it,” Ruby said.

She said when they began putting up the pictures later, someone said to Harshini that “it was nice that you have taken something ugly and turned it into quite an empowering message”.

With Nalina Nair, who was painted with a tiger on her back to depict Kali the destroyer, she said the photoshoot was at Sungai Gabai, Hulu Langat, about a 40-minute drive from Kuala Lumpur city centre.

Unlike Masjid Jamek, Sungai Gabai was very quiet and the women, along with photographer Vicknes Waran, had ample space to utilise.

“Nalina, she was really into her role. She took her time to get into that role and really embodied that personality, which is why when you see the pictures, they are really strong and powerful,” Ruby said.

The two women bonded over their shared belief that women are often told off for speaking their minds, she said.

Nalina, she said, is active in politics and often gets told that she is speaking with too much emotion in her speeches, and should tone down.

“A male politician probably doesn’t get that,” she mused.

Empowering experience

The final photoshoot was held in Brickfields with G Rathimalar painted with a swan along her arm to symbolise Saraswathy, with Kenny Loh as the photographer.

As this was the third photoshoot, there was already some awareness about this project and some supporters turned up to watch the shoot.

Rathimalar also constantly updated news of the ongoing shoot on her social media, Ruby said, which sparked more conversation about the project.

“I had goosebumps throughout that entire photoshoot.

“She (Rathimalar) is just so graceful and so beautiful. Throughout the whole time in Brickfields, she was just dancing through the side of the streets despite all these people gawking at her.

“That is the exact true value that we wanted to create out of this thing, and that is, despite people looking at you and judging you, you are still graceful in your form and in your art,” she said.

When asked if the project would end with the conclusion of Thaipusam, she said she is interested in continuing it in the future.

“Thaipusam was one thing that triggered this project, but a lot of women are coming up to me saying this is really empowering. So I want it to grow into something else,” she said.

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